Tuesday, September 30, 2014

No Matter the Venue, Fitz and the Tantrums Deliver


This post features two concert reviews of the same band. Two different shows, coming 5 weeks apart from each other. The first was an epic aftershow capping off an excellent Lollapalooza experience in Chicago. The other was an arena rock show right down the road at USF. The end results were both superb. This post is all about - Fitz and the Tantrums.

I caught Fitz earlier this year at GovBall and they blew me away. Their modern day soul-pop energy was outstanding, and I was super lucky have a spot in the second row in a crowd of 20,000+. After that it was a no-brainer to instantly buy tickets for their Lolla Aftershow at The Metro on August 4th.

Tickets for that Aftershow were extremely hard to come by. The Metro itself is a venue way too small
for a band that's had two number 1 singles this year. The demand was also escalated because Chicago specifically helped get Fitz their start. The Metro has always been special to Fitz, and a Sunday Aftershow during Lolla weekend is the last chance fans have to see festival artists for the year. Basically, the crowd was buzzing for them to come on stage.

Almost entirely opposite of the crowd of the Metro, was the crowd at USF. Taking place on a Wednesday night, Fitz found themselves playing a venue way too big for them. The USF Sundome holds 10,400 people and the arena didn't even appear to be half full. The fans there didn't even seem to be too devoted. I sure was worried when I arrived after the opener had already finished and I was easily able to walk to the third row, practically center stage.

Much to my enjoyment though, my doubts were quickly silenced. Michael Fitzpatrick and his backing band jogged out on stage and played a rousing "Get Away" to open, straight into 2012 hit "Don't Gotta Work it Out." Even after the house lights were illuminated and you could see some empty seats, the band seemed unphased by it. They actually commented multiple times on the crowd and thanked fans for coming out and supporting live music on a weeknight.

In general, Fitzpatrick and co-singer Noelle Scaggs moved pretty quickly. They wasted little time between songs and performed majority of their tunes off their 2nd album - More Than Just a Dream. Prior to seeing the band live, I did not realize how strong this album is. It's full of toe tapping, modern-day soul songs; much deeper than the two radio singles that have put it on the map.

While the music was great, part of the energetic atmosphere was caused by the back and forth banter with Fitz and Scaggs. The pair worked off each other exceptionally well, igniting the crowd with their dance moves and charisma. I also must give credit to saxophone player James King who stirred up multiple ovations with his solos.

With all due respect the the Sundome show though, I must say that the concert at The Metro was better. It was almost inevitable since the Metro is so much smaller and more intimate. It felt like the band was practically on top of you with the high stage and no security separating it from the crowd. In this case, venue capacity and the Chicago crowd gives the slight edge to the August 4th show.

But both concerts were great! I have to add that my personal favorite moment of both nights was when the group played their biggest hit off their first album - "Moneygrabber." Fitz grooves to this one and even asks the crowd to crouch down to the floor after explaining that 'Fitz and the Tantrums' likes to get down. Having the entire audience jump up in time for the final chorus is a standout moment from the 2014 concert season.

The important thing to take away from these shows? Whether it's an intimate club or a large arena, Fitz still delivered. They did not let the audience play into their performance in a negative way. That's what you have to do to be a great live band. So thank you Fitz. Well done.


Fitz at the Metro Concert Review: 4 Stars

Fitz at USF 'Sundome' Review: 3.5 Stars



Setlist:


Thursday, September 11, 2014

Arcade Fire Even Better for Round 2


Not everyone has the desire to see a band perform two nights in a row. Many concert goers are satisfied after seeing a great performance. They might have wished the band played one or two more songs, but not often will customers purchase tickets to see the same act the following night. This norm did not apply to myself when I flew up to NYC for Arcade Fire weekend. After one of the best shows in a long time, (reviewed here) I was even more excited to return to Barclays Center for round 2 on Saturday 8/23.

But how could Arcade Fire possibly top their concert from just one night prior? Wouldn't it just be the same performance? Same setlist? Same introductions, buildups and solos?! The short answer - NO.

Arcade Fire managed to up their game and put together my favorite show of the year so far. After the same opening acts (The Unicorns and Dan Deacon) from just one night earlier, I found myself only about 6 people deep from the stage, in the middle of a huge arena just ready for a rock show.

Rather than the "Reflektor" opener from Friday, the group opted for fellow Reflektor single "Normal Person" to start. I enjoyed this choice better, as it's a more energetic tune to get the crowd jumping early and setting the tone for the night.

The expected songs followed this with "Rebellion" and "Joan of Ark" coming early in the set. After once again highlighting some tunes off of The Suburbs, lead singer Win Butler sat down at the piano and told the crowd he was going to play a song he rarely performs live anymore. Through the many cheers of the crowd came the opening piano cords to "Crown of Love."

"Crown of Love" is a haunting love song that sits in the middle of Arcade Fire's debut album, Funeral. Although never receiving radio play, it has always been regarded as a fan favorite and one of the strongest songs throughout the bands career. They have only performed it 6 times during their 2014 world tour, so hearing it in person was quite the treat.



If that wasn't enough, things got even better when the group followed up "Crown of Love" with fellow powerful track "Intervention." Placing those tunes back to back after Funeral opener "Tunnels" seemed like the perfect tribute to fans that have been with the band since before 2007. It was outstanding.




The remainder of the set followed a similar outline to the show from the previous night. One of the coolest moments of the night was during the encore, when Arcade Fire brought up the only surviving member of The Ramones - Marky Ramone. The drummer took his spot behind the kit and jammed out for covers of "I Don't Wanna Go to the Basement" and "I Wanna Be Sedated."

After Ramone left the stage, the "Reflektor's" finished things up strongly with "Here Comes the Night Time," "Power Out" and "Wake Up." Once again, it's difficult to even describe the energy and volume of hearing "Wake Up" live. It left everyone walking out of the venue chanting the elongated yelling chorus that Arcade Fire is so well known for.

So how was this show better? Better setlist, better song additions, more energy on a Saturday night, closer location to the stage, better special guest and cover performed, and most importantly - because you couldn't even tell that Arcade Fire played a show the previous night. The effort and approach they put into their work makes it feel like they're performing as if everyone is seeing them for the first time live. They're unpredictable and inspiring.

I also must give credit to band member Will Butler. Will is Win's brother and plays a number of instruments, but mainly stays at the keyboards. Will's energy on stage is second to none. He sings, jams and moves his entire body along with the music. He was addicting to watch and I admire his effort.

There's no guarantee where Arcade Fire will go from here. They obviously have the fan base to do whatever they'd like after selling out 3 consecutive nights in one of NYC's largest arenas. I really hope to see them headlining a festival next year. Until then, I only have memories from what very well could end up being concert of the year.

CONCERT RATING: 5 STARS




SETLIST:

  1. (w/ '(Antichrist Television Blues)' outro)
  2. (Régine on B-Stage)
  3. ('Damian Taylor Remix' intro)
  4. Encore:
  5. Psycho Killer 
    (Talking Heads song) (Fake band on B-stage)
  6. (Ramones cover) (with Marky Ramone)
  7. (Ramones cover) (with Marky Ramone)