Monday, August 25, 2014

CONCERT REVIEW: Young the Giant and Some Great FRIENDS


This has already been a big year for Young the Giant. The indie rock band released their second album this spring, entitled Mind Over Matter. (Reviewed here upon release) They have since been thrusted back into life on the road, going on an extensive spring tour before being invited to open up for Kings of Leon all summer long. Their busy traveling led to a stop a Lollapalooza earlier this month, as well as an aftershow at House of Blues Chicago.

I purchased tickets for this aftershow immediately when it went on sale, as I was very intrigued. Rather than just listing 'Young the Giant' as the headliner, the tickets read "Young the Giant and Friends." I was very curious as to who the 'friends' would be on stage, since Young the Giant has already crossed paths with so many of my other favorites in their young career.

About two days before the show, it was announced that joining the 5 piece Californian band on stage, would be fellow rockers Manchester Orchestra, as well as close friends and former tour mates Grouplove! I had just seen Grouplove for their aftershow the previous night, so I knew the potential of this show. It did not disappoint!

After a very rough set from a band called The So-So Glos (nowhere near worthy of opening up for such a show), Young the Giant took the stage. This was my third time this year seeing these indie rockers, so I knew a bit of what to expect. The "Anagram" opening into 2014 hit, "It's About Time."

After that familiarity, everything was unpredictable. Members from Manchester Orchestra and Grouplove both would take the stage at random times throughout the night, sometimes just increasing the backing rhythm, and other times by taking over the vocals.

Grouplove exclusively performed their hit "Colours," as well as a rowdy cover of the Beastie Boys "Sabotage." Manchester was more just helping out, adding extra guitar sound and having a good time jumping around on-stage with the Young the Giant guys.

Despite all the activity on stage, the spotlight for majority of the night was on Young the Giant lead singer Sameer Gadhia. Sameer captivated the audience with his voice, leading the crowd through tunes off both of the bands albums. Songs like "I Got," "Apartment" and "Cough Syrup" (all off the debut) all were received extremely well. The boys also spent time highlighting some of the best from their new album. My personal favorites were "Mind Over Matter" and "Crystalized."

One of the highlights of the night was when all three bands came on stage for a surprising cover of TLC's 90's classic - "No Scrubs." Another was when the bands were joined by even more guests for the final song of the night - "My Body." The performance of "My Body" was insane, one of the rowdiest of the weekend with both the crowd and the band members on stage jumping around all over the place.



This one was definitely a special night for sure. Young the Giant and Grouplove specifically are two of my favorites, and they're both so busy that they rarely cross paths anymore. Seeing them perform live together was quite the treat. It really brought back memories of spring 2012 when the pair performed my favorite concert of that year. Hopefully we'll see the pair team up for another tour again someday. Their synergy is perfect.

Concert Rating: 4 Stars






SETLIST:



Sunday, August 24, 2014

Concert Review: Arcade Fire Worth the Seven Year Wait


The story of my Arcade Fire fanhood starts on February 24, 2007. I was watching Saturday Night Live, in support of Dwight Shrute (really Rainn Wilson) on NBC's "The Office." Dwight was hosting, and a Canadian group by the name of Arcade Fire was the musical guest.

The first song the band performed on that show, and first I've ever heard from them, was "Intervention." I watched as the large group performed on the small SNL stage as if they were playing their final show ever, putting every ounce of energy into those 4 minutes. The song even concluded with frontman Win Butler slamming his guitar, swing after swing, against the floor. A bit over the top? Maybe. But did they captivate my attention? Yes.

Shortly after that performance, things started rolling with myself and Arcade Fire. I discovered Funeral, which is still in my top 5 today of my all time favorite albums. You then had the album that "Intervention" calls home - Neon Bible. After that came the Grammy Award winning The Suburbs, giving the band the recognition it finally deserves. And then after a 3 year break came Reflektor.

4 amazing albums. Each one 4+ stars. Countless days and hours of listening to these guys over the past 7 and a half years. But I've never been able to see them live. That all changed Friday night.

Since the self-called "Reflektor's" decided not to include Florida in their world tour stops, I had to travel up to New York City for this one. They played 3 nights at Barclays Center, and I scored tix to both the Friday and Saturday night shows.

Opening up for Arcade Fire was The Unicorns, a band that Arcade Fire actually opened up for 10 years earlier. The three piece group didn't do much for me, and the crowd was restless and just very ready for the headliner.

After The Unicorns left the stage, there was about a 45 minute break before Arcade Fire would begin. During this time, DJ Dan Deacon set up a small "B stage" at the back end of the floor. At first, most of the general admission crowd would not dare leave the area of the main stage. But Dan proved to be very interactive with the crowd, encouraging a dance circle and a split-crowd dance circle to get everyone in the dancing mood.

Right before 9pm, a man dressed in a full suit and mask made of mirrors, (appropriately named 'Mirror Man') took the B stage to introduce the main act. Very quickly the large curtain hiding the A stage fell to the floor. And there they were - the 5 core members of Arcade Fire (along with the enlarged touring crew). It almost seemed unreal after so many years of waiting.

Right away Arcade Fire jumped into their first single off the new album - the self titled "Reflektor." The band has completely bought into this theme of the album. Mirrors aligned the stage, a ceiling of mirrors rotated down from the back of the stage, giving floor attendees an overhead view of themselves, and band members even wore mirrors on their hands, reflecting light all around the arena.

The floor was jamming from the start, and Arcade Fire wasted no time getting going. Following "Reflektor" came two of the bands largest hits from their debut album - "Neighbourhood #3 (Power Out)" and "Rebellion." I don't believe I'm alone with Funeral being my favorite album. The ovations and sing-a-longs for tunes off that album were incredible.

After a rowdy "Joan of Arc," the group payed tribute to their 2011 Grammy Album of the Year winning The Suburbs. (Yes, if you forgot, this indie band beat out other nominees Eminem, Lady Antebellum, Lady Gaga and Katy Perry for top honors that year.) Both "The Suburbs" and "Ready to Start" have a slightly more mellow feel but are still so pleasant to hear live.

Sophomore album Neon Bible was not overlooked as well. Hits "Keep the Car Running," and "No Cars Go" made appearances towards the middle of the set. This really had the feel of more of an Arcade Fire greatest hits show than a concert simply highlighting Reflektor.

On the Reflektor side, new tunes "We Exist," "Afterlife," and "It's Never Over" all filled the gaps. I was very impressed with tunes from the new album performed live. They were almost contradicting. I never realized listening to the album how dark some of the songs are. But despite the dark feel, I've never been a part of a show with so much movement in the crowd. The entire floor seemed to dance as one. It was not a moshpit or anything like that, everyone just seemed to be in the same rhythm.

After an appropriate "Sprawl II" closer, Arcade Fire stepped up their game for an awesome encore. Two of the best off the new album - "Here Comes the Night Time" and "Normal Person" sent the crowd into a frenzy. The added effects of unimaginable amounts of confetti, a killer lights show and a parade of extras wearing oversized fake celebrity bobbleheads on stage only enhanced things. It was a great environment.

The final song of the night was one of the greatest live songs you will ever hear. Hidden on Arcade Fire's debut, "Wake Up" has all members of the band shouting together, with a heavy bass drum beat. The crowd was so loud for this that it was even difficult to hear the band. It was magical live. I can't even imagine how amazing it would be performed at a festival. (Hint hint...Lolla 2015)

In conclusion, 7 and a half years was worth the wait. This is one of the greatest bands you can see live. Amazing energy and effort. Go see them live and go support their music. Arcade Fire is so indie, that you will rarely ever hear them on the radio. You have to make the initiative and there's plenty to choose from. 4 great albums. I'm so glad I can cross this off the list.

Concert Rating: 4.5 Stars






SETLIST:
  1. (alternate shortened version)
  2. (w/ LCD Soundsystem's "All My Friends" intro)
  3. (Régine on B-stage)
  4. ('Damian Taylor Remix' intro)
  5. Encore:
  6. Personality Crisis 
    (New York Dolls song) (Fake band on B-stage)
  7. (Buster Poindexter cover) (with David Johansen) (introduced as "Ladies and gentlemen, Buster Poindexter.)
  8. (w/ Vangelis' "Chariots of Fire" intro)

Monday, August 18, 2014

CONCERT REVIEW: Grouplove Opens Lolla Weekend


I've written about this before, but one of the best things about Lollapalooza are the aftershows. For those unfamiliar, Lolla aftershows take place late at night, usually from 11pm - 2am, allowing bands that perform at the festival a second chance to play a show in Chicago for fans that don't have Lolla tickets. What makes them really special though, is that these shows usually occur in smaller music venues around the city, allowing fans to see large bands play at intimate venues that they otherwise would never perform at.

This year, I focused on the aftershows and attended 3 throughout the weekend. Getting the Lolla experience started for me on Thursday night, was an excellent show at one of my favorite venues - it was Grouplove, live from The Metro in Wrigleyville.

The Metro is one of those music venues rich in history. Countless bands have gotten their start in Chicago, and specifically, this venue. It's a small theater with great sound and a stage right on top of the audience. I saw Imagine Dragons play the Metro last summer and was dying to get back.

Opening up for Grouplove was Joy Wave. They did a decent job of creating a dance environment and warming the crowd up. You'd recognize their final song "Tongues," which I feel like is popular in the club scene.

The young crowd was definitely ready for Grouplove to take the stage. The show was obviously sold out and the crowd went nuts as drummer Ryan Rabin came up on stage to perform a quick drum solo before being joined by the rest of the California gang.

For those unfamiliar with Grouplove, they're your essential fun, hippy band from southern Cal. The members themselves were brought together by a trip to Greece where they all claimed to fall in love with each other. Lead singers Christian Zucconi and Hannah Hooper are in fact a couple, and appropriately have excellent synergy on stage.

Grouplove has released 2 albums. They're sophomore album, Spreading Rumors, was released earlier this year and I'm a fan. Although, it doesn't quite live up to their 2011 debut - Never Trust a Happy Song. That album is one of my favorite debuts in the past few years and it's still a constant in my everyday listening.

I'm not alone with that opinion. Grouplove received some of the loudest ovations of the night by performing 3 of their first 4 songs off that debut record to open the show. This included album opener and fan favorite "Itchin' on a Photograph." I really have no idea what it means to itch on a photograph, (nor do I know what a 'lovely cup' is for that matter) but this tune was insanely popular with the crowd jumping and singing along on every line.

Songs from Spreading Rumors had their fair share of crowd participation as well. Tunes like "Raspberry," "Shark Attack," and "Ways to Go" are simple and fun songs. Grouplove's performance of songs from both albums really just gave off the feel that they wanted to audience to have a good time. Hannah and Christian just wanted everyone to be bouncing along with them.

One general observation of the band is that they work extremely well together. Christian has a unique voice, not one that would usually take lead vocals in a band. But Hooper's smooth backing vocals compliment it nicely. Even guitarist Andrew Wessen contributes vocally, and in fact takes center stage to impressively sing the single, "Spun." You can easily tell this is a group of talented musicians.

Of course the tunes that Grouplove is best known for came towards the end of the set. Their largest radio hit, "Tongue Tied," threw the Metro into a huge dance party. The song that's always been the favorite for myself, "Colours," was the final of the night. Christian invited their friends from Cage the Elephant on stage to assist with the vocals.

Overall, great band at a great venue. It was a fun time and the perfect way to spend Lollapalooza Eve.

Concert Rating: 4 Stars


SETLIST:
1. I'm With You
2. Itchin' on a Photograph
3. Lovely Cup
4. Naked Kids
5. Raspberry
6. Shark Attack
7. Schoolboy
8. Gold Coast
9. Drunk in Love (Beyoncé cover)
10. Bitin' the Bullet
11. Tongue Tied
12. Slow

Encore:
13. Borderlines and Aliens
14. Ways To Go
15. Colours (with Cage the Elephant)

Wednesday, August 13, 2014

FESTIVAL REVIEW: The Top 9 Performances of Lollapalooza



So after attending Gov Ball the first week of the June, I began experiencing the longest concert drought of the summer. I went from June 9th – July 30th without seeing a show. That’s nearly 8 weeks, which is ridiculous considering the activity 2014 has seen. I believe the only thing that got me through this drought was the promise of an excellent light at the end of the tunnel: Lollapalooza.

After an amazing time at Lolla 2013, it was clear that this should become an annual event on the calendar. Grant Park, Chicago truly is a perfect venue for a music festival. It’s large enough to hold 8 stages without conflicting sounds, but it’s also small enough to make a busy day of seeing many bands on different stages manageable. Plus it’s located right in the Loop of downtown Chicago, so lodging and transportation are easy. And don’t even get me started on the aftershows. Pretty much, it’s an epic weekend that any music fan needs to experience at some point.

So this year I traveled up to Lolla again but took a slightly different approach to the weekend. As I mentioned in my Music Festival Power Rankings, I was not overly impressed with the Lolla Headliners. I had already done the Outkast thing twice, so I spent more time focusing on the bands that made up the middle of the lineup.

Here’s who I was able to catch: Bombay Bicycle Club, Warpaint, Portugal. The Man, Chvrches, Lorde, Arctic Monkeys, The Districts, Vance Joy, Temper Trap, Fitz & the Tantrums, Smallpools, Jenny Lewis, Cut Copy, Bear Hands, Bleachers, Trombone Shorty, Cage the Elephant, Avett Brothers, Bronze Radio Return, Young the Giant, Kings of Leon, Chance the Rapper and Skrillex.

I usually do a Top 10. But I realized there was such a large drop-off between 9 and 10, that I decided to shorten this list to just the Top 9. Enjoy:



9. Vance Joy

One of the earliest sets of the day on Saturday drew one of the day’s largest crowds. It was Australian singer / songwriter Vance Joy. Vance is very mellow and has yet to release a full length album. All he has is a 5 song EP, led by his hit single “Riptide.” This indie hit had the crowd singing early in the day and has put Vance on the map.




8. Bleachers

I would have been alright with seeing or without seeing Bleachers at Lolla. I caught their performance at Gov Ball, and thought they were impressive for a new group that had only released 2 songs. I’m glad to see them again though after they've gained some more popularity. They kept the crowd entertained during their hour long set with catchy singles – “Like a River Runs,” “Shadow” and a cover of the Cranberries classic “Dreams.”

Lead singer and former Fun. Guitarist Jack Antonoff departed the stage and went into the first few rows of the audience for closer and first single, “I Wanna Get Better.”

7. Portugal. The Man

This was one of my favorite performances of the weekend. This wacky alternative group from Alaska came out playing the Pink Floyd classic "Another Brick in the Wall,", and that was just the start of the covers. They also performed Queen's "We Are the Champions," “Day Man,” yes the song from Always Sunny in Philadelphia, and one of my favorite songs of all time in Oasis’ “Don’t Look Back in Anger,” where they actually encouraged the Gallagher Brothers to get back together.


They spent plenty of time on their own material as well. PtM’s Evil Friends was one of the best albums of 2013, and they performed 6 songs off that album.

6. Cut Copy

So the big decision on Saturday night at Lolla was between seeing Outkast or Calvin Harris. I found myself at neither location, but at my favorite stage – the Grove, seeing electronic rock group, Cut Copy. I could not have been more pleased with the choice. Cut Copy has a dance music feel, but I appreciate being able to see the band members play their instruments vs just a DJ. It semi had the feel of a Empire of the Sun show.


5. Smallpools

Saturday afternoon was packed for the alternative rock fan. Fitz and the Tantrums, Grouplove, Manchester Orchestra and Smallpools were all playing in the same time slot, taking fans away from each other. But for the fans in attendance at the Grove, Smallpools put on an excellent performance. Similar to a Vance Joy, Smallpools has yet to release an album. Fortunately, the 9 songs they do perform were very entertaining.

Right away, opener “Mason Jar” let you know that these guys were no joke. They added some familiarity with a cover of New Radicals “You Get What You Give” and ended with lead single “Dreaming.” These guys definitely have the feel of a young Grouplove before they hit it big. I’m expecting a bright future.

4. Lorde

I was blown away by the crowd that Lorde drew at Lolla. She does appeal as almost the perfect Lolla artist, popular with the teenage girls but actually playing music that’s good enough to persuade any music fan to check her set out. The crowd for Lorde stretched across the entire field built for 2 stages, and overflowed into the vendor areas and walkways. I wouldn't be surprised if despite not even being a headliner she still drew the largest crowd of the weekend.

Lorde sure is talented. I’ll admit that I do own her debut album, Pure Heroine, and even listed it as one of my favorite albums of 2013 at the end of last year. She went through that album, touching all the hits, and even seemed humbled by the opportunity to play in front of so many people.


3. Avett Brothers


So last year at Lolla, the reason for the trip and winner of the power rankings was Mumford & Sons. You may not think it, but an acoustic band definitely is capable of entertaining a festival and killing it. The Avett Brothers Sunday evening set was reminiscent of the Mumfords.

Playing tunes that spanned the entire career of the Avetts, the group had everyone dancing in the rain to good old-fashioned folk rock. They featured the hits – “Live and Die,” "Down With the Shine” and “I and Love and You,” but they also played so many lesser known tunes that sounded amazing live. Seeing Avett’s on a headlining tour is definitely on the to-do list for the future.

2. Cage the Elephant


I first saw Cage the Elephant about 3 years ago, and I have memories of front man Matt Schultz being wild. What I didn't realize was just how unpredictable Schultz would be at Lolla. He came out on stage, with his backing band, in a dress shirt and jacket. Eventually, both the shirt and jacket were off, and Schultz took advantage of the rainy and muddy Sunday by rolling around in the mud and using the entire stage to his advantage.

Schultz performed multiple stage dives and traveled into the crowd at multiple times, all while singing some of the group’s best tunes. Going through all of Cage’s material, and with entertaining on-stage antics, this group really showed off as a great festival rock group. (Tampa friends – they’re headlining Coral Skies in October)


   1. Arctic Monkeys



You knew these guys were gonna be tough to beat. While half the crowd went over to see Eminem headline Friday night at Lolla, I stuck around the Bud Light stage to see my favorite band of the year – Arctic Monkeys. I saw these guys back in January as one of the first shows of the year, and have been itching to see them again ever since.

I was not at all disappointed. The boys played 10 songs off my favorite album of the year – AM, and they also mixed in a greatest hits collection from their first 4 albums. The opening drive of “Do I Wanna Know?” “Snap Out of It,” and “Arabella” to start was epic. And Alex Turner was made to be a front man, captivating the Lolla audience with his hair-combing and pristine voice. It’s good to see these guys finally receiving a major headlining slot in the US. It’s deserved.




Also, you may remember I put out this post back in March predicting the Lollapalooza lineup: Eh…..  9 out of 20 for the middle of the lineup isn't bad.