Let me begin by saying that I am a HUGE fan of Young the
Giant. Their 2010 self-titled debut is one of my favorite albums of this
decade. It’s just one of those cd’s that has it all. Rock anthems, acoustic
jams, radio hits, slow songs… all highlighted by front man Sameer Gadhia’s gorgeous
voice. It was so good in fact (4.5 stars out of 5 for my rating) that it made
finding a ticket to their Tampa show in spring 2012 nearly impossible. But even
though the cost was high, the guys from Irvine, California delivered. I ranked
their concert at the Ritz that spring as THE BEST live performance of 2012. So
it’s tough for me to say anything negative about the band.
All that being said though, their new album, Mind Over
Matter, released on Tuesday, is NOT part 2 to their outstanding debut. Please
do not get the wrong idea, it is not a BAD album, it is just very different.
Gone are the powerful vocals, well placed hooks and mid song jams. They’re
replaced by a much more electronic sound, heavy on synth.
The album opens up with “Slow Dive,” a 48 second synth crescendo
that flows right into “Anagram.” This opening sets the tone for the album, sort
of enticing the listener into this musical domain that Young the Giant have
created. You then have “It’s About Time,” a rock heavy single that is
reminiscent of 2011 hit “My Body,” but not quite on the same level as an arena
rock hit.
The rest of the 1st half of the album is single
heavy and more comparable with their debut. “Crystalized” is very memorable and
should receive some solid radio play, “Mind Over Matter” has a similar easy
listening pace, and “Daydreamer” has a catchy drumbeat. I believe this is the
strongest portion of the album.
The second half of the album makes a 180. I think the best way
to summarize it, is that it’s an interesting listen. At times the rhythm section
is great. Many songs seem synth, key and string driven, which works in places. I
think “Camera” is a standout and “In My Home” will be great live. The synth
seems to take over though in “Teachers” and comes off as distracting in “Eros,”
almost as if the songs were overproduced. Even the final song on the album, “Paralysis,”
doesn’t seem to do much except extend the album. It’s nothing like the feel
good “Guns Out,” which closes the first album.
I think Mind Over Matter can be interpreted different
ways. It might show that the band is becoming more mature. This could be a
major creative leap, displaying that these indie rockers are more than just a
few radio hits, but I think it’s missing one simple thing – Sameer’s voice.
There were some electric sounds on the first album, but they were masked by
Sameer’s powerful vocals. Now his voice seems hidden behind the sound. For me,
it is truly missed.
In conclusion, I believe most fans will be caught off guard
with this new album. It will break some hearts, but fans should recognize that
the band is treading new ground and “growing.” It is different, but decent. I
predict it will not have the commercial success of their debut, (The peak
numbers for their new singles compared to “My Body” and “Cough Syrup” are an
early indication) but I would not characterize this in the dreadful “sophomore
slump” category.
So even though this was not the greatest review, I still
encourage everyone in the Tampa Bay area to see Young the Giant live. Many of
these songs have the framework to sound better in person than sitting through
on an album. Plus, setlist reviews of their first shows since the Mind Over
Matter release display that the guys are still playing tunes off their debut
album. Throw in the fact that you get to hear Sameer’s voice live, and a $33
ticket is well worth it. They roll into Tampa Bay with a show at Jannus Live on
Tuesday, February 18th.
ALBUM RATING – 3 Stars
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