As 2014 has come to a close, it's only appropriate that I name my favorite albums of the year. Now my rules for this list are as follows: the album does not have to have been released in the 2014 calendar year. As you will see, this list contains some albums that were technically released in 2013. However, I am including them if this was the year (2014) where they got BIG. That way, this list can be a true account of the albums that dominated the the past 365 days.
There's lots of great albums here, and even more that just missed the cut. It's gonna be tough to top in 2015. Hope you enjoy.
10. Foo Fighters – Something from Nothing
This
album definitely has the coolest story behind it out of any on this list. Foo’s
front man Dave Grohl wanted to do something different for the bands 8th
studio album. So he took the group out on a cross-country adventure, recording
each of the eight tracks in a different city rich in musical history. Grohl
even waited until arriving in each location to write the lyrics for each tune,
referencing how he wanted the vibe and back-story of that city to inspire him.
This process was well documented on the HBO Series – Sonic Highways.
The
end result is a solid LP, even for Foo Fighters standards. Singles “Something
from Nothing,” “What Did I Do? / God As My Witness” and “Outside” lead listeners through
the album. My only complaint is that at just 8 songs, it seems a bit rushed.
However, it is enough to lay down a solid foundation for what is sure to be a
HUGE 2015 for the Foo Fighters.
9. Black Keys – Turn Blue
Following
up their massive 2012 album – El Camino, the Black Keys seemed to return to
their roots a bit for their 2014 LP. Turn Blue doesn’t quite have the ferocious
radio singles we’ve become accustomed to for this duo, but it finds a nice
blues-rock sound for a pleasant easy-going record.
The best song to summarize the album is slow-burning opener – “Weight of Love.” You can tell right away that the
musical aspect of the album takes center stage, as Dan Auerbach and Patrick Carney create a two minute instrumental beginning that entices the listener. It's an incredible invitation to start Turn Blue.
8. Bastille – Bad Blood
In
my opinion, Bastille had one of the top ten albums of 2014 and is my pick for
‘Rookie of the Year.’ There’s no denying that “Pompeii” was one of the largest
singles of the spring, and the backing debut album behind it is just as good.
Other essential tracks include “Flaws” and “Laughter Lines.”
The
British group took a bit longer to catch on in the US but they have since made
up for it – headlining festivals and going on their first arena tour this past
fall. The album overall reminds me most of
Imagine Dragon’s
Night Visions from
two years ago and the rise in popularity of the two bands has been similar.
Full review of
Bad Blood here:
ALBUM REVIEW.
7. Fitz and the Tantrums – More than Just a Dream
No
album grew on me more throughout the year than the second LP released from Fitz
and the Tantrums. Everyone by now has heard the hit radio singles from it –
“Out of My League,” “The Walker,” and “Fool’s Gold.” These tracks lay down the
foundation of an outstanding modern day pop-soul album.
Michael
Fitzpatrick and Noelle Scaggs work tremendously well on this album,
complimenting each other’s voices perfectly as two co-lead singers. Fitz has a very soulful voice while Scaggs is absolutely electric, both on the record and live. Not only is this a great album, but Fitz puts on one of the best live shows you'll see all year.
6. The Orwells – Disgraceland
I first heard of The Orwells following their rousing
performance on David Letterman where even Letterman himself started demanding
for an encore. (
Video here) The group is full of Chicago kids around the age of
20 that have been playing together since their 7
th grade. It’s
essentially a high school garage band that has broken out and is one of the
most promising young bands in rock n’ roll.
Disgraceland is actually the follow up to debut album
Remember When. It benefits from actually being recorded in a professional
studio, as opposed to their first album, and is full of youth themed songs.
Lead singer Mario Cuomo sounds like Jim Morrison and he already has the stage
presence of a quintessential rock star. Essential tracks on the album include –
“Bathroom Tile Blues,” “The Righteous One,” and the terrifying “Blood Bubbles.”
5. Cage the Elephant – Melophobia
One of the best concert experiences of the year was catching
Cage the Elephant’s set at
Lollapalooza. For one, you had entertaining front
man Matt Schultz stage diving and rolling around in the mud on the stormy
Sunday afternoon. But it also exposed me to the newest material from Cage,
their third album entitled
Melophobia.
After much listen, this has evolved into my favorite of all
Cage’s material. You have a classic Cage opener in “Spiderhead” to start the
album, a few catchy radio singles with “Come a Little Closer” and “Take It or
Leave It,” as well as some slowed down acoustic tunes in “Telescope” and
“Cigarette Daydreams.” It’s a weird but magical album. I’m surprised these guys
aren’t more popular.
4. Arcade Fire - Reflektor
Arcade Fire released one my favorite albums of all time in 2004 with their debut - Funeral. Since then, I have had sky high expectations for them. They somehow though have never let me down. Reflektor is the bands fourth release and first since Grammy winning The Suburbs. As is typical for Arcade Fire, it's full of indie rock anthems and long creative songs.
The album is actually broken down into two discs. The first contains seven minute opener "Reflektor," groovy "We Exist," and rowdy "Joan of Arc." The second disc is much darker, centered on the theme of life, death and the afterlife. Though the songs may be centered on somber subjects, Arcade Fire excel in creating great rhythms. Each tune keeps things moving, and with almost all being over five minutes in length, Win Butler and company have plenty of time to stretch their creative genius.
3. Jack White - Lazaretto
The man behind the top selling vinyl of the year is no other than Jack White. White released his second solo album this year and it's just as good as his debut - Blunderbuss. Jack is in usual form on the album, shredding on guitar, most easily seen in the no-lyrics needed "High Ball Stepper" and title track "Lazaretto."
White also shows off his musical ability by spending some time on the piano in this album. Those skills are best displayed on opener "Three Women" and bouncy "Alone in My Home." My favorite part of the album is the middle section containing "Just One Drink," "Temporary Ground" and "Entitlement." Those songs seem to break up the standard blues-rock sound with some more laid back charmers. Overall, just a very diverse and enjoyable album.
2. Vampire Weekend – Modern Vampires of the City
I was late to jump on the
Modern Vampires of the City bandwagon. I didn't discover the album until early in the springtime, in preparation for Vampire Weekend's set at
Big Guava Fest. I had high expectation after all the praise I heard of this album prior to listening. Luckily, those expectations were met and exceeded.
This third album release by Vampire Weekend is a true alternative album, combining many different musical styles. My personal favorite song is old-fashioned feel "Step" in the middle of the album. There's great support with "Diane Young," "Everlasting Arms," "Ya Hey," and lead single "Unbelievers." One of my other favorite things about this album is the excellent flow from one song to the next.
Read the full review here:
ALBUM REVIEW
1. Arctic Monkeys – AM
In 2013, Alex Turner and company
spent their summer touring with fellow rockers - The Black Keys. Following that
tour, the boys from Sheffield went back into the studio and put together the
smoothest and cleanest album of their five-record discography.
The theme of AM seems to be Turner singing to a former lover with so much uncertainty and struggle, that each line comes off especially captivating. Whether it's questioning if feelings are mutual in "Do I Wanna Know?" to asking 'Are you mine tomorrow or just mine tonight?' in "R U Mine." The storytelling and visuals created by Turner are just exceptional, best displayed in strong tracks - "Knee Socks" and "Why'd You Only Call Me When You're High?"
In addition to strong lyrics, Turner also displays excellent vocals with an exceptionally pristine voice. This overlays the bashing drums, smooth guitar riffs, falsetto harmonies and haunting attitude of the album so perfectly. This one would have been difficult to beat in any year.
